Some bitter herbs cannot be eaten.

by Chani Newman

"You cannot understand what it was like. You can't imagine."

Suddenly our family Seder, usually exuberant with words of Torah, song, and the telling of our ancestors' exodus from Egypt, becomes more solemn, as my grandfather approaches the Hagadda with the baggage of a Holocaust survivor.

"What about all the times when God didn't save us?"

He can't help but ask the unanswerable questions which continue to haunt his thoughts. The younger generations sitting at the table grapple to explain the "answers" we tell ourselves to support our beliefs -- beliefs my grandfather himself puts into practice even after years of questioning. But as soon as he says it, describing just two graphic examples of the horror, I know my grandfather is right: "You were not there. You can never understand."

I distract myself by casting my gaze downward toward the bowl of maror (bitter herbs) sitting before me. I hold a plastic fork in my hand, using it to mix around the ground up pieces of horseradish. The tiny pieces move around the bowl easily, ready to be swallowed with a minimum amount of challenge to the taste buds.

This piece is too large, too hard and bitter to be eaten whole.

And then, my fork hits something solid. Mixed up among the tiny pieces lies a large chunk of the original horseradish root, as solid as ever. I try to cut it and stab it with my fork, but to no avail. This piece will not be broken up tonight. It is too large, too hard, and too strong and bitter for anybody to eat whole.

I look up at my grandfather. I attempt to say something worthwhile, some words of comfort. We are still here, getting stronger, still praising God for the good. Thoughts that evil is man-made flit through my head. Thoughts that perhaps, regardless, we just can't understand, mortal humans as we are. But as my eyes turn back to the maror, silence is my response.

Why can't that chunk just go away? It's so much easier to deal with the mixture that has gone through the food processor. Frustrated, I stab at the chunk again, thinking how this piece is more connected to its root than the other pieces. This piece contains more bitterness than any of the ground up pieces.

The images will not go away from my grandfather's brain. He speaks of rabbis humiliated by Nazis who cut their skin off together with their beards, of public hangings. The pain and bitterness is rock solid, indigestible. But for myself, my brothers, my parents, the pain is ground up into tiny, palatable pieces. What can we do about the troubled solid chunk sitting in the bowl?

My eyes divert from the bowl before me and shift to the other symbolic foods on the table. They stop and rest on the lump of charoset (a mixture of sweet ingredients, including apples, wine, and nuts) on the Seder plate. We add sweet charoset to soften the maror's sharpness. The charoset, with its mortar-like texture and bloodlike ingredient of red wine, acknowledges the suffering and bitterness of the Hebrew slaves, while also introducing hope for sweetness in the future generations of our People.

The charoset contains fruits to which the eternal Jewish Nation is compared, and apples associated with Jewish women in Egypt giving birth to the next generation (Babylonian Talmud, Pesachim 114a). I peer at my family, seated around the table, and think of my new six-month-old nephew, my grandfather's first great-grandchild, whose family celebrates the holiday in far-off Israel.

Taking in the Passover spirit, I realize there is but one thing we can do to respond to my grandfather at such a Seder. We dip the maror in the charoset.

Published: Monday, March 31, 2008

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Visitor Comments: 7

(7) Devorah, June 28, 2010 8:33 AM

Fantastic

What great writing! this is so uncommon, I really encourage you to continue to get your writing out there for us. Of course, I am not just mentioning this in a shallow, compimentary context. Rather, it is clear that when A writer like you uses her sensitivity and gifts, she reaches people deeply, and the message is understood more profoundly, through the marvelously interwoven metaphors and symbols. Just as Pesach is really supposed to do for us. So, thanks for the help.

(6) Anonymous, June 28, 2010 8:29 AM

The Maror brings to the Charoses

The Malbim asks why the sequence of Ma Nishtana does not follow the sequence of the seder? Without going into the detail of his answer he states that the Matza is the slavery, the Maror the increased labors. The Maror brought about the cry to Hashem which caused the Geula. That is why we dip the Maror into the sweet Charoses which represents a decrease in our toil. Followed by leaning - our ultimate chairus - freedom.

(5) Anonymous, May 24, 2010 5:57 AM

Jack and Robin --Been trying to track you since you left for NJ

My home phone is 631-587-1440 and my cell is 917-975-9850.Love you both Lenny Gutterman and Adrienne--Funny I just found you I will be going into the hospital shortly for a kidney transplant.at Columbia Presbyterian Hosp.

(4) Sara, March 29, 2009 7:42 PM

Wow!

beautiful writing. I was wondering where you would lead to, and the conclusion was original and wonderful!

(3) Anonymous, April 16, 2008 11:47 AM

The Eternal people

Another way to look at the hard piece of Maror that refused to be broken up is to equate it with us, the Jewish people. We have been hurt, trampled on and humiliated for thousands of years. It may even be that pieces of our nation and ourselves has been broken off and grounded into nothing but murky unrecognizable mush. But no matter how bitter we become we can never truly be destroyed. We are that hard piece of maror where we may become bitter at times, some of that bitterness can stay with us for generations but we have roots. We hold tight to our roots and never forget. We have the torah, Hakodosh Baruch Hu and each other. We look at all the destruction we have witnessed over the centuries and our very long history; we see that we can never truly be eradicated. G-D is eternal and so are his people. May Hashem see our sacrifices and return us to his land, this year in Jerusalem, AMEN.

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About the Author

Chani Newman

Chani, a native of Long Island, has enjoyed creative writing for many years. She is a graduate of Stern College, and currently teaches preschool in Manhattan. She is also going for a Master’s degree in Jewish Philosophy at The Bernard Revel School of Judaic Studies. She recently got married and lives with her husband Yosef in Washington Heights.

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